Hugo Erfurth; Hilde-Marie; silver gelatin paper; black and white positive process; image size: height: 16;2 cm; width: 9;7 cm; signed and dated; exposed: Hilde-Marie 1898; inscribed: recto: exposed at lower margin: HUGO ERFURTH; pre. J. S. Schr鰀er; DRESDEN; Reissigerstr. 46; in lead: repro no; inscribed: cardboard: repro no; Stamp: cardboard o. r.: handwritten in lead added: 311; portrait photography; girl; portrait; half-length portrait; At the beginning of the 20th century Hugo Erfurth is one of the most famous professional photographers in Germany; next to Rudolph D黨rkoop and Nicola Perscheid. After completing an apprenticeship as a photographer; he opened his own studio in Dresden at the age of only 22. Soon Erfurth orientated himself towards the up-and-coming pictorialist photography; participated in numerous amateur photographic exhibitions from 1894 onwards and managed to make a name for himself both as an artistically ennobled amateur and successful professional photographer. Portraits are central to his work; which he began taking in 1906 in his new studio; a classicist palace; in a stylishly elegant ambience; appealing to the wealthy bourgeoisie. He also produced numerous portraits of famous personalities; including K鋞he Kollwitz; Otto Dix and Joachim Ringelnatz. While his studies around 1905 still show full-length figures depicted in an atmospheric way; from the 1920s onward the focus is on the face; which is photographed against a simple monochrome background. Here; his pictorial approach corresponds to the portrait of classical modernism; whereby the technique of oil printing emphasizes the softness and materiality of the pigments and at the same time places the portraits in the art-photographic tradition. Erfurth is a co-founder of the Gesellschaft Deutscher Lichtbildner (1919); teaches at the Leipzig Academy and moves from Dresden to Cologne in the 1930s; where he builds up an art collection. After his Cologne studio and archive were destroyed i