EditorialFirst leg of the previous round of the UEFA Europa Conference League 23-24: Osasuna vs Brugge, Pamplona, Foral Community of Navarre, Spain - 24 Aug 2023
EditorialA tennis match on clay keeps no secrets. The red canvas is clean to start. Then, with each step, slide and bounce of the ball, two players paint the story. Over several hours, tennis becomes a form of abstract expressionism. (Pete Kiehart/The New York Times)
EditorialA tennis match on clay keeps no secrets. The red canvas is clean to start. Then, with each step, slide and bounce of the ball, two players paint the story. Over several hours, tennis becomes a form of abstract expressionism. (Pete Kiehart/The New York Times)
EditorialA tennis match on clay keeps no secrets. The red canvas is clean to start. Then, with each step, slide and bounce of the ball, two players paint the story. Over several hours, tennis becomes a form of abstract expressionism. (Pete Kiehart/The New York Times)
EditorialA tennis match on clay keeps no secrets. The red canvas is clean to start. Then, with each step, slide and bounce of the ball, two players paint the story. Over several hours, tennis becomes a form of abstract expressionism. (Pete Kiehart/The New York Times)
EditorialA tennis match on clay keeps no secrets. The red canvas is clean to start. Then, with each step, slide and bounce of the ball, two players paint the story. Over several hours, tennis becomes a form of abstract expressionism. (Pete Kiehart/The New York Times)
EditorialA tennis match on clay keeps no secrets. The red canvas is clean to start. Then, with each step, slide and bounce of the ball, two players paint the story. Over several hours, tennis becomes a form of abstract expressionism. (Pete Kiehart/The New York Times)
EditorialA tennis match on clay keeps no secrets. The red canvas is clean to start. Then, with each step, slide and bounce of the ball, two players paint the story. Over several hours, tennis becomes a form of abstract expressionism. (Pete Kiehart/The New York Times)
EditorialA tennis match on clay keeps no secrets. The red canvas is clean to start. Then, with each step, slide and bounce of the ball, two players paint the story. Over several hours, tennis becomes a form of abstract expressionism. (Pete Kiehart/The New York Times)
EditorialA tennis match on clay keeps no secrets. The red canvas is clean to start. Then, with each step, slide and bounce of the ball, two players paint the story. Over several hours, tennis becomes a form of abstract expressionism. (Pete Kiehart/The New York Times)
EditorialA tennis match on clay keeps no secrets. The red canvas is clean to start. Then, with each step, slide and bounce of the ball, two players paint the story. Over several hours, tennis becomes a form of abstract expressionism. (Pete Kiehart/The New York Times)
EditorialA tennis match on clay keeps no secrets. The red canvas is clean to start. Then, with each step, slide and bounce of the ball, two players paint the story. Over several hours, tennis becomes a form of abstract expressionism. (Pete Kiehart/The New York Times)
EditorialA tennis match on clay keeps no secrets. The red canvas is clean to start. Then, with each step, slide and bounce of the ball, two players paint the story. Over several hours, tennis becomes a form of abstract expressionism. (Pete Kiehart/The New York Times)
EditorialA tennis match on clay keeps no secrets. The red canvas is clean to start. Then, with each step, slide and bounce of the ball, two players paint the story. Over several hours, tennis becomes a form of abstract expressionism. (Pete Kiehart/The New York Times)
EditorialA tennis match on clay keeps no secrets. The red canvas is clean to start. Then, with each step, slide and bounce of the ball, two players paint the story. Over several hours, tennis becomes a form of abstract expressionism. (Pete Kiehart/The New York Times)
EditorialA tennis match on clay keeps no secrets. The red canvas is clean to start. Then, with each step, slide and bounce of the ball, two players paint the story. Over several hours, tennis becomes a form of abstract expressionism. (Pete Kiehart/The New York Times)
EditorialA tennis match on clay keeps no secrets. The red canvas is clean to start. Then, with each step, slide and bounce of the ball, two players paint the story. Over several hours, tennis becomes a form of abstract expressionism. (Pete Kiehart/The New York Times)