EditorialA bronze sculpture of the attorney Frankie Muse Freeman, the first Black woman on the U.S. Civil Rights Commission, stands in Kiener Plaza in St. Louis, May 28, 2023. (Michael B. Thomas/The New York Times)
EditorialA bronze sculpture of the attorney Frankie Muse Freeman, the first Black woman on the U.S. Civil Rights Commission, stands in Kiener Plaza in St. Louis, May 28, 2023. (Michael B. Thomas/The New York Times)
EditorialA bronze sculpture of the attorney Frankie Muse Freeman, the first Black woman on the U.S. Civil Rights Commission, stands in Kiener Plaza in St. Louis, May 28, 2023. (Michael B. Thomas/The New York Times)
EditorialValda Setterfield and her husband and longtime collaborator, David Gordon, perform his work “Chair,” the first in a series of works in which she was his partner, his muse or his protagonist, in New York, Sept. 4, 2020. (Sara Krulwich/The New York Times)
EditorialValda Setterfield and her husband and longtime collaborator, David Gordon, perform his work “Chair,” the first in a series of works in which she was his partner, his muse or his protagonist, in New York, Sept. 4, 2020. (Sara Krulwich/The New York Times)
EditorialValda Setterfield and her husband and longtime collaborator, David Gordon, perform his work “Chair,” the first in a series of works in which she was his partner, his muse or his protagonist, in New York, Sept. 4, 2020. (Sara Krulwich/The New York Times)
EditorialValda Setterfield and her husband and longtime collaborator, David Gordon, perform his work “Chair,” the first in a series of works in which she was his partner, his muse or his protagonist, in New York, Sept. 4, 2020. (Sara Krulwich/The New York Times)
EditorialValda Setterfield and her husband and longtime collaborator, David Gordon, perform his work “Chair,” the first in a series of works in which she was his partner, his muse or his protagonist, in New York, Sept. 4, 2020. (Sara Krulwich/The New York Times)
EditorialValda Setterfield and her husband and longtime collaborator, David Gordon, perform his work “Chair,” the first in a series of works in which she was his partner, his muse or his protagonist, in New York, Sept. 4, 2020. (Sara Krulwich/The New York Times)
EditorialValda Setterfield and her husband and longtime collaborator, David Gordon, perform his work “Chair,” the first in a series of works in which she was his partner, his muse or his protagonist, in New York, Sept. 4, 2020. (Sara Krulwich/The New York Times)
EditorialValda Setterfield and her husband and longtime collaborator, David Gordon, perform his work “Chair,” the first in a series of works in which she was his partner, his muse or his protagonist, in New York, Sept. 4, 2020. (Sara Krulwich/The New York Times)
EditorialValda Setterfield and her husband and longtime collaborator, David Gordon, perform his work “Chair,” the first in a series of works in which she was his partner, his muse or his protagonist, in New York, Sept. 4, 2020. (Sara Krulwich/The New York Times)
EditorialValda Setterfield and her husband and longtime collaborator, David Gordon, perform his work “Chair,” the first in a series of works in which she was his partner, his muse or his protagonist, in New York, Sept. 4, 2020. (Sara Krulwich/The New York Times)
EditorialOne Size Does Not Fit All: Company Values and Culture as Key Differentiators in the War for Talent, The Boardroom, Advertising Week New York, The Market Line, New York, USA - 19 Oct 2022