EditorialThe composer Tod Machover’s score for his opera of Richard Powers’s novel “The Overstory,” in New York, March 2, 2023. (Alex Hodor-Lee/The New York Times)
EditorialThe composer Tod Machover’s score for his opera of Richard Powers’s novel “The Overstory,” in New York, March 2, 2023. (Alex Hodor-Lee/The New York Times)
EditorialLeaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
EditorialLeaping into the Metaverse by Ai-Da Robot, during the 59th International Art Exhibition - La Biennale di Venezia, Giardini, Venice, Italy - 19 Apr 2022
EditorialLoretta Staples, who was a user interface designer in the 1980s and ’90s, in Waterbury, Conn., March 14, 2021. (Sasha Rudensky/The New York Times)
EditorialEmail, which has been around for as long as we can remember using the internet, is a source of pain with no treatment plan. (Glenn Harvey/The New York Times)