EditorialA tapestry version of Picasso’s 1907 painting “Les Demoiselles d’Avignon,” woven by Jacqueline Dürrbach, at the Museo Picasso Málaga in Malaga, Spain, March 28, 2023. (Emilio Parra Doiztua/The New York Times)
EditorialFirst grade teacher Maria Wozniak teaches phonics at Panther Valley Elementary School in Nesquehoning, Pa. on April 4, 2023. (Hannah Yoon/The New York Times)
EditorialFirst grade teacher Maria Wozniak teaches phonics at Panther Valley Elementary School in Nesquehoning, Pa. on April 4, 2023. (Hannah Yoon/The New York Times)
EditorialFirst grade teacher Maria Wozniak teaches phonics at Panther Valley Elementary School in Nesquehoning, Pa. on April 4, 2023. (Hannah Yoon/The New York Times)
EditorialFirst grade teacher Maria Wozniak teaches phonics at Panther Valley Elementary School in Nesquehoning, Pa. on April 4, 2023. (Hannah Yoon/The New York Times)
EditorialA Victorian-style woven rattan armchair from Joan Didion’s estate sale auction hosted by Stair Galleries, in Hudson, N.Y., Oct. 18, 2022. (Tony Cenicola/The New York Times)
EditorialRenata Santizo, right, with her pre-K classmates at James Shields Elementary School in Chicago on Sept. 13, 2022. At Shields, reminders about mask wearing are now woven into orientation. (Michelle Litvin/The New York Times)
EditorialA woven carpet in the shape of a two-headed horseradish at the studio of the art collective Slavs and Tatars in Berlin, Sept. 6, 2022. (Maria Sturm/The New York Times)
EditorialRolls of Anybag material, woven from single-use plastic bags, and an example bag made by the company, at their factory in New York in July 2022. (Graydon Herriott/The New York Times)
EditorialA woven flax mat, known as uwhi, used to cross water and gather food in shallow swamps, below the surface of Lake Rotomā in New Zealand, May 7, 2022. (Cornell Tukiri/The New York Times)
EditorialAn elaborate wedding dress by the firm L.P. Hollander, whose founder was an abolitionist, in a scene created by film director Radha Blank that includes a woven “quilt,” or veil that acts as a reference to both African beading and braiding and reads “We Good. Thx!,” at the Metropolitan Museum of Art Costume Institute's exhibit, “In America: An Anthology of Fashion,” in New York, May 1, 2022. (Charlie Rubin/The New York Times)
EditorialBronwyn Katz’s floor sculpture “G?eg?e,” inspired by an Indigenous tale about diamond extraction, at the 2022 Biennale, in Venice, Italy, April 20, 2022. (Gus Powell/The New York Times)