EditorialThe artist Steve Keene in his home workspace, a studio encircled in chain-link fencing that he affectionately calls “the cage,” in New York, Oct. 18, 2022. (Lila Barth/The New York Times)
EditorialGabriel Gomez, founder and director at Crooked Letter Films in his workspace in the Williamsburg section of Brooklyn, on April 25, 2022. (Lanna Apisukh/The New York Times)