EditorialA Central Park staff member peers through binoculars at Flaco, a Eurasian eagle-owl that escaped from the Central Park Zoo, in New York on Feb. 9, 2023. (Jeenah Moon/The New York Times)
EditorialA Central Park staff member peers through binoculars at Flaco, a Eurasian eagle-owl that escaped from the Central Park Zoo, in New York on Feb. 9, 2023. (Jeenah Moon/The New York Times)
EditorialA Central Park staff member peers through binoculars at Flaco, a Eurasian eagle-owl that escaped from the Central Park Zoo, in New York on Feb. 9, 2023. (Jeenah Moon/The New York Times)
EditorialThe procession returns to Ayodhyā, along the bottom of the painting, the sorrowful and deserted city being the haunt of cats and owls. Bharata and ?atrughna take their leave of the queens and tell Vasi??ha that they will retire to Nandigrāma and...
EditorialLe Ch?teau des hiboux (Castle of the Owls). Dated: 1877-1887. Dimensions: plate: 11.3 x 18 cm (4 7/16 x 7 1/16 in.) sheet: 20 x 29 cm (7 7/8 x 11 7/16 in.). Medium: etching, aquatint, drypoint, roulette, stop-out, sulphur tint, and crayon stop-out in ...
EditorialHawks and owls, 1625?77, Etching; only state, Plate: 5 1/4 ? 7 11/16 in. (13.4 ? 19.5 cm), Prints, Wenceslaus Hollar (Bohemian, Prague 1607?1677 London), In a room a large owl sits on wooden partition at right holding a dead weasel in its right claw. O...
EditorialThe Biel Throne. Marble. The right side are a reliefs showing an olive tree and a table on which there rests a Panathenaic amphora, containing an olive spray and three wreath. The front legs are in the form of owls. 140-143 AD. From the roman Panathena...
EditorialBugs Bunny, Daffy Duck and Flintstones voice actor Mel Blanc memorabilia to go under the hammer, including studio microphone and signed animations
EditorialElf and owls on a tree bough. Handcoloured woodblock print by Edmund Evans after an illustration by Richard Doyle from In Fairyland, a series of Pictures from the Elf World, Longman, London, 1870.
EditorialElves and fairies, owls and squirrels, asleep in a tree in the moonlight. Handcoloured woodblock print by Edmund Evans after an illustration by Richard Doyle from In Fairyland, a series of Pictures from the Elf World, Longman, London, 1870.
EditorialLe Ch?teau des hiboux (Castle of the Owls). Dated: 1877-1887. Dimensions: plate: 11.3 x 18 cm (4 7/16 x 7 1/16 in.) sheet: 20 x 29 cm (7 7/8 x 11 7/16 in.). Medium: etching, aquatint, drypoint, roulette, stop-out, sulphur tint, and crayon stop-out in ...
EditorialLe Ch?teau des hiboux (Castle of the Owls). Dated: 1877-1887. Dimensions: plate: 11.3 x 18 cm (4 7/16 x 7 1/16 in.) sheet: 20 x 29 cm (7 7/8 x 11 7/16 in.). Medium: etching, aquatint, drypoint, roulette, stop-out, sulphur tint, and crayon stop-out in ...
EditorialPanel, Medium: linen Technique: needle lace, Elaborate design with a central, throned figure of a young man in a high headdress holding a scepter in his right hand. He is flanked by symmetrical standing figures with similar feather crowns. Each holds a...
EditorialLe Ch?teau des hiboux (Castle of the Owls). Dated: 1877-1887. Dimensions: plate: 11.3 x 18 cm (4 7/16 x 7 1/16 in.) sheet: 20 x 29 cm (7 7/8 x 11 7/16 in.). Medium: etching, aquatint, drypoint, roulette, stop-out, sulphur tint, and crayon stop-out in ...
EditorialThe Judgement of Paris, Print made by Henry William Bunbury, 17501811, British, 1771, Etching on moderately thick, slightly textured, cream laid paper, Sheet: 7 3/16 x 8 3/8 inches (18.2 x 21.3 cm) and Image: 5 7/8 x 7 3/8 inches (14.9 x 18.8 cm), bag,...
EditorialLe Ch?teau des hiboux (Castle of the Owls). Dated: 1877-1887. Dimensions: plate: 11.3 x 18 cm (4 7/16 x 7 1/16 in.) sheet: 20 x 29 cm (7 7/8 x 11 7/16 in.). Medium: etching, aquatint, drypoint, roulette, stop-out, sulphur tint, and crayon stop-out in ...
EditorialAuger with inscription HENRICK TER HORST ME FECIT DAVENTRIAE ANNO 1631, The cast round auger widened upwards, has a high cantilever and profiled edge and a profiled foot, which is arranged higher than the underside of the object. On the border in Latin...
EditorialThe procession returns to Ayodhyā, along the bottom of the painting, the sorrowful and deserted city being the haunt of cats and owls. Bharata and ?atrughna take their leave of the queens and tell Vasi??ha that they will retire to Nandigrāma and...