EditorialCoast Scene near Plymouth, Samuel Prout, 17831852, British, undated, Watercolor with brown ink, black ink, and g over graphite on thick, rough, beige board, pasted on mount, Sheet: 18 1/8 ? 23 inches (46 ? 58.4 cm), beach, boats, boulders, cattle, cave...
EditorialOsborne House, Print made by Bradshaw & Blacklock, active ca.1850, British, after 1850, Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper, Sheet: 10 1/4 x 7 3/8 inches (26 x 18.8 cm) and Image: 3 15/16 x 5 3/4 ...
EditorialChain Pier at Brighton, Print made by John Bruce, fl. 1826, after John Bruce, fl. 1826, Published by John Bruce, fl. 1826, ca. 1830, Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper, Sheet: 13 7/16 x 19 1...
EditorialMargate, attributed to Benjamin West, 17381820, American, active in Britain (from 1763), 1767, Black chalk on medium, moderately textured, beige, laid paper, Sheet: 14 x 21 3/8 inches (35.6 x 54.3 cm), buildings, carriages, chimney, cityscape, figures,...
EditorialCave of the Golden Calf: Study for Deer Hunting Mural, Spencer Frederick Gore, 18781914, British, 1912, Pastel, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 14 inches (25.4 x 35.6 cm), cabaret, d...
EditorialThe Meeting of the Rivers Severn and Wye, near Chepstow, Edward Dayes, 17631804, British, 1795, Watercolor over graphite on thick, slightly textured, beige wove paper, Sheet: 12 3/4 x 16 13/16in. (32.4 x 42.7cm), cattle, cows, fields, grass, grazing, h...
EditorialHolland Estate, St. Thomas in the East, View from the Change of Air House, James Hakewill, 17781843, British, between 1820 and 1821, Watercolor and graphite on moderately thick, slightly textured, cream wove paper, Sheet: 12 1/4 ? 16 1/2 inches (31.1 ?...