EditorialGoblet of the Noble militia militia Busse in Veere, Driven cup with lid and base of gold-plated silver. On the lid a Roman lance carrier with a broken lance (possibly with a freedom hat on it) and a shield with the Veere coat of arms and inscription. O...
EditorialNew sculptural light fixtures inside the performance space at Geffen Hall, during a grand re-opening event in New York on Saturday, Oct. 8, 2022. (Nina Westervelt/The New York Times)
EditorialRaheem Sterling and New Balance reveal a limited-edition Furon v7 that celebrates the England internationals journey to stardom, called Route to Success.
EditorialRay Perkins' widow Lisa, center, and their daughters Shelby, left, and Rachael with his framed jersey at home in Tuscaloosa, Ala., May 3, 2022. (Charity Rachelle/The New York Times)
EditorialVincent van Gogh: The Factory, Vincent van Gogh, July?September 1887, Oil on canvas, In the late nineteenth century, the French landscape outside of Paris was becoming increasingly marked by signs of industry. Here Van Gogh depicts a glass factory in A...
EditorialVincent van Gogh: The Factory, Vincent van Gogh, July?September 1887, Oil on canvas, In the late nineteenth century, the French landscape outside of Paris was becoming increasingly marked by signs of industry. Here Van Gogh depicts a glass factory in A...
EditorialVincent van Gogh: The Factory, Vincent van Gogh, July?September 1887, Oil on canvas, In the late nineteenth century, the French landscape outside of Paris was becoming increasingly marked by signs of industry. Here Van Gogh depicts a glass factory in A...
EditorialVincent van Gogh: The Factory, Vincent van Gogh, July?September 1887, Oil on canvas, In the late nineteenth century, the French landscape outside of Paris was becoming increasingly marked by signs of industry. Here Van Gogh depicts a glass factory in A...
EditorialVincent van Gogh: The Factory, Vincent van Gogh, July?September 1887, Oil on canvas, In the late nineteenth century, the French landscape outside of Paris was becoming increasingly marked by signs of industry. Here Van Gogh depicts a glass factory in A...
EditorialAn exam room where fixtures and other items were removed to prevent harm, at Children’s Hospital in Aurora, Colo., April 5, 2022. (Annie Flanagan/The New York Times)
EditorialAs remote work shifts to hybrid models, employees who moved to the suburbs or beyond are becoming weekly fixtures at city hotels on those days when they must make an appearance at the office. (Thomas Fuchs/The New York Times)
EditorialIn this seller’s market, some sellers are exercising their power with unusual demands and stripping their homes of fixtures and appliances as they leave. (Trisha Krauss/The New York Times)
EditorialPeter Kurz, an exporter of bathroom fixtures and the Israeli National baseball team’s general manager, in Pomona, N.Y., on July 13, 2021.(Gregg Vigliotti/The New York Times)
EditorialShuttle and bobbin, Medium: wood with metal fixtures, A dark finely grained wooden shuttle with ends tipped with metal. Metal rod for holding bobbin. With a wooden bobbin wound with black silk thread., France, 19th century, appliances & tools, Shuttle ...
EditorialCabinet, Robert Frederick Blum, American, 18571903, Graphite on wove paper, Sketch of a six-paneled cabinet with details of fixtures., USA, 1880, furniture, Drawing, Drawing.
EditorialShuttle, Medium: wood with metal fixtures, lined with fur, Shuttle of light colored fine grained wood. Ends tipped with metal. Metal rod for holding bobbin. Opening for bobbin lined with grey fur., France, 19th century, appliances & tools, Shuttle.
EditorialMr. & Mrs. Marcus H. Rogers in their parlor on the 2nd floor of the 'Berkshire Courier' building, furniture, light fixtures, layout of rooms visible., still image, Stereographs, 1850 - 1930, Hall, J. (Julius) (b. 1844).
EditorialMaker: Edward Winslow, American, 16691753, Trencher?Salt, Silver, Height: 2 1/4 in. (5.7 cm), In the late seventeenth century, salts became fixtures on the tables of well-to-do colonists. Salts took two forms: tall standing salts with knops surrounding...
EditorialDesign for a Gothic Kneeler, Augustus Welby Northmore Pugin, 18121852, British, Augustus Charles Pugin, 17621832, French, undated, Graphite on medium, moderately textured, cream laid paper, Mount: 12 3/8 x 13 1/4 inches (31.4 x 33.7 cm) and Sheet: 3 ? ...
EditorialStalls in St. George's Chapel, Windsor Castle, John Carter, 17481817, British, undated, Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, blued white, laid paper, Sheet: 19 15/16 ? 9 9/16 inches (50.6 ? 24.3 cm), arc...
EditorialDesigns for Gothic Ornamentation, a Kneeler, and Two Sketches of the Interiors of Gothic Churches, Augustus Welby Northmore Pugin, 18121852, British, Augustus Charles Pugin, 17621832, French, undated, Pen and brown ink, brown wash, and graphite on mode...
EditorialMr. & Mrs. Marcus H. Rogers in their parlor on the 2nd floor of the 'Berkshire Courier' building, furniture, light fixtures, layout of rooms visible., still image, Stereographs, 1850 - 1930, Hall, J. (Julius) (b. 1844).
EditorialStan Douglas’s photo-panel series, “Penn Station’s Half Century,” is seen in the waiting area for ticketed passengers, designed by the Rockwell Group, at the the Moynihan Train Hall in New York, Dec. 27, 2020. (Andrew Moore/The New York Times)