EditorialAdoration of the Magi, Early Byzantine, early 6th century. An ivory relief panel of the Adoration of Christ. The Virgin Mary, shown with wide staring eyes and larger in scale than the other figures, holds the Christ child in her lap as he makes the ges...
EditorialPolish costumes, 18th century: Polish Jew 1, Polish man in formal wear 2, woman 3, and man in regular clothes 4. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Fl...
EditorialSaharan costumes: Moors in the desert, and Tuaregs in leather clothes and in the formal clothes with spear, sword and dagger at the oasis town of Ayade. Handcoloured lithograph from Friedrich Wilhelm Goedsche's "Vollstaendige V?lkergallerie in getreuen...
EditorialHera, waring the formal clothes of the bride is pushed towards Zeus by Iris. The small personifications crowned with flowers refer to the regeneration of nature that derives from the divine union. House of the Tragic Poet. Pompeii. National Archaeologi...
EditorialSaharan costumes: Moors in the desert, and Tuaregs in leather clothes and in the formal clothes with spear, sword and dagger at the oasis town of Ayade. Handcoloured lithograph from Friedrich Wilhelm Goedsche's "Vollstaendige V?lkergallerie in getreuen...
EditorialPhotograph - Gung Family, Ascot Vale Home, circa 1965, Photograph of the Gung family at Mary and Samuel Gung's family home at 24 Madura Street Ascot Vale, Melbourne, circa 1965. The family are wearing formal clothes and would have been on their way to ...
EditorialHera, waring the formal clothes of the bride is pushed towards Zeus by Iris. The small personifications crowned with flowers refer to the regeneration of nature that derives from the divine union. House of the Tragic Poet. Pompeii. National Archaeologi...
EditorialHera, waring the formal clothes of the bride is pushed towards Zeus by Iris. The small personifications crowned with flowers refer to the regeneration of nature that derives from the divine union. House of the Tragic Poet. Pompeii. National Archaeologi...
EditorialOld Geordie Syme, the Piper of Dalkeith, a famous bagpiper, in his formal clothes: yellow coat, red plush breeches, white stockings and buckled shoes. Copperplate engraving by John Kay from A Series of Original Portraits and Caricature Etchings, Hugh P...
EditorialPolish costumes, 18th century: Polish Jew 1, Polish man in formal wear 2, woman 3, and man in regular clothes 4. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Fl...
EditorialSaharan costumes: Moors in the desert, and Tuaregs in leather clothes and in the formal clothes with spear, sword and dagger at the oasis town of Ayade. Handcoloured lithograph from Friedrich Wilhelm Goedsche's "Vollstaendige V?lkergallerie in getreuen...
EditorialAdoration of the Magi, Early Byzantine, early 6th century. An ivory relief panel of the Adoration of Christ. The Virgin Mary, shown with wide staring eyes and larger in scale than the other figures, holds the Christ child in her lap as he makes the ges...