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Editorial
- 2023-11-01
- 1
Editorial Ocracoke / Portsmith / Climate Change Examples
- 2023-07-02
- 7
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-27
- 2
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-27
- 2
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-16
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-16
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-16
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-16
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-15
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-15
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-15
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-15
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-15
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-15
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-15
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-15
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-15
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-15
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-15
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-15
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-15
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-14
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-14
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-14
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-14
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-14
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-14
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-07
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-07
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-07
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-07
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-07
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-07
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-07
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-07
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-07
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-06-07
- 1
Editorial Eoghan Daltún, a sculpture restorer, at home in Eyeries, Ireland on April 11, 2023. (Paulo Nunes dos Santos/The New York Times)
- 2023-03-17
- 1
Editorial Carnival: the Devil of Tufara
- 2023-02-22
- 13
Editorial Douglas Booth and Hannah John-Kamen
- 2023-01-22
- 31
Editorial Gnarled Oak Tree near l'Epine Crossroads; Gustave Le Gray, French, 1820 - 1884; Fontainebleau, France, Europe; 1849 - 1852; Albumen silver print; Image: 25.7 x 37.3 cm (10 1/8 x 14 11/16 in.), Mount: 47 x 61.3 cm (18 1/2 x 24 1/8 in.).
- 2022-07-21
- 1
Editorial Thomas Rowlandson, Landscape with Figures Collecting Wood Beneath Gnarled Trees, Imitations of Modern Drawings, After Thomas Gainsborough (British, Sudbury 17271788 London), Associated with Carl Friedrich Abel (German, C?then 17231787 London), May 21, ...
- 2022-04-22
- 1
Editorial Thomas Rowlandson, Landscape with Figures Collecting Wood Beneath Gnarled Trees, Imitations of Modern Drawings, After Thomas Gainsborough (British, Sudbury 17271788 London), Associated with Carl Friedrich Abel (German, C?then 17231787 London), May 21, ...
- 2022-04-22
- 1
Editorial Palampore, Medium: cotton Technique: mordant painted and resist-dyed (chintz) on plain weave, Half of a chintz palampore with scenic and floral elements in blue, green, drab, yellow and rose on a strong red ground. The piece has a deep border sewn by h...
- 2022-01-18
- 1
Editorial Palampore, Medium: cotton Technique: mordant painted and resist-dyed (chintz) on plain weave, Half of a chintz palampore with scenic and floral elements in blue, green, drab, yellow and rose on a strong red ground. The piece has a deep border sewn by h...
- 2021-10-13
- 1
Editorial A Zoltar fortune telling machine at OMG Pizza on Myrtle Avenue in the Bushwick section of Brooklyn, Aug. 14, 2021. (John Taggart/The New York Times)
- 2021-08-19
- 4
Editorial Gnarled-Thorn Trees. Dated: c. 1890. Dimensions: image: 5.4 x 10.3 cm (2 1/8 x 4 1/16 in.) sheet: 18 x 26.5 cm (7 1/16 x 10 7/16 in.). Medium: photogravure, printed c. 1895.
- 2021-06-04
- 1
Editorial Textile, Medium: cotton Technique: block-printed, with yellow and blue applied by brush, on plain weave foundation, Gnarled branch with strange, exotic fruits, leaves, flowers and birds in multiple colors on a white ground. The background is covered wi...
- 2021-02-22
- 1
Editorial Scenic, Hand painted paper, Small fragment; featuring gnarled old tree trunk, with new growth appearing along with branch with red flowers; landscape is printed in shades of green with orange sky., China, 18681869, Wallcoverings, Scenic.
- 2021-02-22
- 1
Editorial Siloam and Jerusalem, Southeastern Corner of the Walls Seen from the Mount of Olives [Jerusalem,and Silwan, East Jerusalem, Israel], Frederic Edwin Church, American, 18261900, Graphite on gray paper, Recto: Horizontal view of the countryside with bould...
- 2021-02-22
- 1
Editorial Tree Trunk with Parasitical Plants, Jamaica, Frederic Edwin Church, American, 18261900, Graphite on white paper, Vertical rectangle with two parastical plants growing from a gnarled protrusion on a tree trunk, possibly a night-blooming cereus growing o...
- 2021-02-22
- 1
Editorial La Petite Bergere, Charles Emile Jacque, French, 1813 - 1894, Etching on cream paper, A young shepherdess stands among her sheep. A ewe nurses a lamb. Beyond a gnarled tree is seen a village in the distance., France, ca. 1860, Print, Print.
- 2021-02-22
- 1
Editorial Pitcher, Holdcroft, Molded and glazed earthenware, Tall picture with oval section. Molded exterior to resemble tree trunk with prunus branch and blossoms. Glazed pale blue interior and exterior. Handle in the form of a gnarled branch., ca. 187080, cera...
- 2021-02-22
- 1
Editorial Palampore, Medium: cotton Technique: mordant painted and resist-dyed (chintz) on plain weave, Half of a chintz palampore with scenic and floral elements in blue, green, drab, yellow and rose on a strong red ground. The piece has a deep border sewn by h...
- 2021-02-22
- 1
Editorial Gnarled Dead Tree, Frederic Edwin Church, American, 18261900, Graphite on buff paper, Recto: A gnarled tree, and horizontally at top left two caricature heads shown in profile and de face, respectively., Verso: A gnarled dead tree standing before an ob...
- 2021-02-22
- 1
Editorial Winter Landscape, Brush and gouache on sand, glued to paper, A man and a dog are seen on a road near a thatched cottage in the snow. Gnarled tree and fence, left signpost, right., England and Germany, England, 18201830, landscapes, Picture, Picture.
- 2021-02-22
- 1
Editorial A Storm, George Smith, British, 1714 - 1776, Etching on paper, A stream running below a huge gnarled tree blown by the wind. Three people attempting to run to the right are blown back. A house and more trees beyond. Below, 'Geo. Jn^o Smith Chichester 1...
- 2021-02-21
- 1
Editorial Bedcover, Medium: cotton Technique: printed, Design of large scale flowers and birds on a trellis of gnarled branches in shades of deep purple and yellow on white ground. Reverse side has large scale pattern of flowers in red on white ground., France, ...
- 2021-02-21
- 1
Editorial Oak Wood, Montauk, New York, Samuel Colman, American, 18321920, Recto and verso: Graphite, pen and brown ink, brush and watercolor and white gouache on gray-green wove paper, Recto: Horizontal view of two oak trees appearing in a hilly foreground, one ...
- 2021-02-21
- 1
Editorial A Gnarled Evergreen, Grand Manan, Canada, Frederic Edwin Church, American, 18261900, Graphite, brush and white gouache on brown paper, Vertical view of a gnarled evergreen tree., Canada, August 1851, nature studies, Drawing, Drawing.
- 2021-02-21
- 1
Editorial Umbrella handle, Henry Rado, American, 18591921, Silver, Upper part of umbrella stem in the form of a gnarled branch with pricked symbols on edge, with slightly flaring repousse silver handle with four floral panels and a foliated cap., New York, USA, ...
- 2021-02-21
- 1
Editorial Artist: Carl Wilhelm Kolbe the elder, German, 17591835, Landscape with Gnarled?Tree, Etching, platemark: 26.3 ? 33.1 cm (10 3/8 ? 13 1/16?in.), Made in Germany, German, 19th?century, Works on Paper -?Prints.
- 2021-02-21
- 1
Editorial Artist: Carl Wilhelm Kolbe the elder, German, 17591835, Landscape, Etching, sheet: 32.4 ? 43.6 cm (12 3/4 ? 17 3/16?in.), Carl Wilhelm Kolbes most enigmatic works were intimate portraits of gnarled oaks, earning him the nickname Eichen-Kolbe. Kolbe eve...
- 2021-02-21
- 1
Editorial A Gnarled Tree. Drawing. Graphite on medium, slightly textured, cream wove paper. Height: 127 mm (5 in); Width: 105 mm (4.13 in).
- 2021-02-21
- 1
Editorial painting, Jacobus Ludovicus Cornet, c. 1845, Signature back, center: J.L. Cornet. f, panel, oil paint, painted, Carrier: 40.7 ? 53.2 ? 0.6cm (407 ? 532 ? 6mm), With frame: 67.4 ? 79.2 ? 6.8cm ( 674 ? 792 ? 68mm), landscape, stork, man's portrait, farm,...
- 2021-02-21
- 1
Editorial painting, Jacobus Ludovicus Cornet, c. 1845, Signature back, center: J.L. Cornet. f, panel, oil paint, painted, Carrier: 40.7 ? 53.2 ? 0.6cm (407 ? 532 ? 6mm), With frame: 67.4 ? 79.2 ? 6.8cm ( 674 ? 792 ? 68mm), landscape, stork, man's portrait, farm,...
- 2021-02-21
- 1
Editorial painting, Jacobus Ludovicus Cornet, c. 1845, Signature back, center: J.L. Cornet. f, panel, oil paint, painted, Carrier: 40.7 ? 53.2 ? 0.6cm (407 ? 532 ? 6mm), With frame: 67.4 ? 79.2 ? 6.8cm ( 674 ? 792 ? 68mm), landscape, stork, man's portrait, farm,...
- 2021-02-21
- 1
Editorial Thomas Rowlandson, Landscape with Figures Collecting Wood Beneath Gnarled Trees, Imitations of Modern Drawings, After Thomas Gainsborough (British, Sudbury 17271788 London), Associated with Carl Friedrich Abel (German, C?then 17231787 London), May 21, ...
- 2021-02-19
- 1
Editorial Roelandt Savery, Gnarled Tree, Roelandt Savery (Flemish, Kortrijk 15761639 Utrecht), ca. 160809, Etching; first state of two, Sheet: 4 15/16 ? 5 11/16 in. (12.5 ? 14.5 cm), Prints.
- 2021-02-19
- 2
Editorial Case (Inr) with Design of Young Pines Growing beside Gnarled Pine Trees, Japan, Edo period (16151868), Date 19th century, Japan, Lacquer, roiro, gold and silver hiramakie, togidashi, nashiji; Interior: fundame, 2 13/16 x 3 1/8 x 13/16 in. (7.1 x 8 x 2 ...
- 2021-02-19
- 2
Editorial Thomas Rowlandson, Landscape with Figures Collecting Wood Beneath Gnarled Trees, Imitations of Modern Drawings, After Thomas Gainsborough (British, Sudbury 17271788 London), Associated with Carl Friedrich Abel (German, C?then 17231787 London), May 21, ...
- 2021-02-19
- 2
Editorial Album of Blossoming Plum.
- 2021-02-19
- 1
Editorial Saint Agnes (one of a pair).
- 2021-02-19
- 1
Editorial Saint Jerome (one of a pair).
- 2021-02-19
- 1
Editorial Can with representations of the planets, Can with gilt silver. The neck is formed from a woman's breast image and the spout from a palmetal increase in her hairstyle. The egg-shaped barrel is surrounded by a profile along the neck and under the shoulde...
- 2020-12-04
- 1
Editorial Cup Cup with representations from the Metamorphoses of Ovid, Cup of gold, completely enameled on a white background. The base of the cup, with a flat ring with diamond pattern, is shaped like a hill with a gnarled tree trunk at the top, which serves as...
- 2020-12-04
- 1
Editorial Ernest Lawson: Landscape with Gnarled Trees, Ernest Lawson, c. 1910, Oil on commercial wallboard, Born in Halifax, Nova Scotia, in 1873, Lawson lived and worked in the United States. In 1893, during his first stay in France, he sought out Alfred Sisley...
- 2020-12-04
- 1
Editorial Study of Three Old Gnarled Trees.
- 2020-12-02
- 1
Editorial A Large Tree, 1615?73, Pen and brown ink, on brown paper, 24 3/16 x 16 7/16in. (61.5 x 41.8cm), Drawings, Salvator Rosa (Italian, Arenella (Naples) 1615?1673 Rome), Of his myriad achievements as an artist and man of letters, the brilliant and moody Sal...
- 2020-12-02
- 1
Editorial How many centuries of change and chance Those gnarled gray trunks have sentineled, calm and still, Above the pool where slanting sunbeams glance, And the grave heron wets his tawny bill! How many more will pass, with all they bear Of human toil, of str...
- 2020-12-01
- 1
Editorial Gnarled old tree in Beit El, Israel. It was here that Jacob, Abraham's grandson, had his dream of a ladder connecting heaven and earth and therefore called the place Beit El, House of God (Genesis 28: 1).
- 2020-12-01
- 1
Editorial Gnarled old tree in Beit El, Israel. It was here that Jacob, Abraham's grandson, had his dream of a ladder connecting heaven and earth and therefore called the place Beit El, House of God (Genesis 28: 1).
- 2020-12-01
- 1
Editorial Micrographic painting of Zion, city of David. Two gnarled trees with psalters, harps, timbrels, pipes and cymbals according to psalm 150. In the center the City of David and the tombs of the kings of the House of David. Watercolour and ink on paper,38,...
- 2020-11-26
- 1
Editorial Gnarled Oak Tree near l'Epine Crossroads; Gustave Le Gray, French, 1820 - 1884; Fontainebleau, France, Europe; 1849 - 1852; Albumen silver print; Image: 25.7 x 37.3 cm (10 1/8 x 14 11/16 in.), Mount: 47 x 61.3 cm (18 1/2 x 24 1/8 in.).
- 2020-09-11
- 1
Editorial [The Large Tree at La Verrerie, Romesnil].
- 2020-09-11
- 1
Editorial Gnarled old tree in Beit El, Israel. It was here that Jacob, Abraham's grandson, had his dream of a ladder connecting heaven and earth and therefore called the place Beit El, House of God (Genesis 28: 1).
- 2020-07-27
- 1
Editorial White Plum Blossoms and Moon.
- 2020-03-20
- 1
Editorial Plum Blossoms.
- 2020-03-20
- 1
Editorial Landscape after a poem by Wang Wei.
- 2020-03-20
- 1
Editorial Album of Blossoming Plum.
- 2020-03-02
- 1
Editorial Saint Agnes (one of a pair).
- 2020-03-02
- 1
Editorial Saint Jerome (one of a pair).
- 2020-03-02
- 1
Editorial Holy family, oblong bronze plaque. Left in the foreground Maria with the child. Kneeling in front of her is Elisabeth, the left arm wrapped around young John, who shows the child a bird in his right hand. He is holding a cross under the left arm. Behin...
- 2020-01-15
- 1
Editorial Dutch Burgundian Reichstalder from Philips II, 1568 Holland, Philips II, Burgundian Reichstalder, 1568, Obverse: Gnarled poles crossed between years under crown, flint with sparks in the middle. reverse: crowned coat of arms of Burgundy, surrounded by ...
- 2020-01-15
- 1
Editorial Visitation: meeting of Mary and Elisabeth, Against a backdrop of a steeply rising, mountainous landscape, on which a city wall and completely left leg gnarled tree, Mary and her niece reach each other's right hand. Maria comes from the right, stands on...
- 2020-01-15
- 1
Editorial Thomas Cole, American, 1801-1848, Gnarled Tree Trunk, ca. 1826, pen and brown ink over graphite pencil on cream wove paper, Sheet (irreg): 14 7/8 ? 10 11/16 inches (37.8 ? 27.1 cm).
- 2020-01-15
- 1
Editorial Thomas Cole, American, 1801-1848, Gnarled Tree Trunks, ca. 1826, pen and brown ink over graphite pencil on heavy off-white wove paper, Sheet (irreg): 10 3/4 ? 14 7/8 inches (27.3 ? 37.8 cm).
- 2020-01-15
- 1
Editorial Thomas Cole, American, 1801-1848, Gnarled Stump of a Tree, 1826, pen and brown ink with graphite pencil on beige wove paper, Sheet (irreg): 9 13/16 ? 8 inches (24.9 ? 20.3 cm).
- 2020-01-15
- 1
Editorial Thomas Cole, American, 1801-1848, Gnarled Trunk of a Tree, ca. 1826, graphite pencil on off-white paper, Sheet (irreg): 9 3/8 ? 7 1/4 inches (23.8 ? 18.4 cm).
- 2020-01-15
- 1
Editorial John W. Casilear, American, 1811-1893, Gnarled Tree, 19th century, graphite on paper, Sheet: 10 1/2 ? 14 3/4 inches (26.7 ? 37.5 cm).
- 2020-01-15
- 1
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