EditorialThe orchestra rehearses “Stranger Love” in which the voices gradually drop out, with the instrumentalists broadening the work’s scope, in New York, April 29, 2023. (Michael George/The New York Times)
EditorialThe orchestra rehearses “Stranger Love” in which the voices gradually drop out, with the instrumentalists broadening the work’s scope, in New York, April 29, 2023. (Michael George/The New York Times)
EditorialThe orchestra rehearses “Stranger Love” in which the voices gradually drop out, with the instrumentalists broadening the work’s scope, in New York, April 29, 2023. (Michael George/The New York Times)
EditorialMarcela Guerrero, an associate curator at the Whitney Museum of American Art in New York, with a scale model of an exhibition she curated, “no existe un mundo poshuracan: Puerto Rican Art in the Wake of Hurricane Maria,” now at the museum, Nov. 3, 2022. (Sabrina Santiago/The New York Times)