EditorialA scene from Michael R. Jackson’s new musical satire, “White Girl in Danger,” at Second Stage’s Tony Kiser Theater in New York, March 30, 2023. (Sara Krulwich/The New York Times)
EditorialA scene from Michael R. Jackson’s new musical satire, “White Girl in Danger,” at Second Stage’s Tony Kiser Theater in New York, March 30, 2023. (Sara Krulwich/The New York Times)
EditorialA scene from Michael R. Jackson’s new musical satire, “White Girl in Danger,” at Second Stage’s Tony Kiser Theater in New York, March 30, 2023. (Sara Krulwich/The New York Times)
EditorialA scene from Michael R. Jackson’s new musical satire, “White Girl in Danger,” at Second Stage’s Tony Kiser Theater in New York, March 30, 2023. (Sara Krulwich/The New York Times)
EditorialThe Rotunda Gallery at the Telfair Academy, the oldest public art museum in the South, in Savannah, Ga., in October 2022. (Adam Kuehl/The New York Times)
EditorialJohn Urschel, a former NFL offensive lineman who now works as an analyst for Chess.com, poses with a chess board in Somerville, Mass., Oct. 2, 2022. (Maddie Malhotra/The New York Times)
EditorialPeople listen to a woman with the Swiss demining foundation talk about the dangers of landmines in Chernihiv, Ukraine, July 27, 2022. (Emile Ducke/The New York Times)
EditorialSharon Moon, Isaiah "Toothtaker" Camacho's former apprentice, tattoos a client at Black Rose Tattoo in Tucson, Ariz. on April 12, 2022. (Christopher Lee/The New York Times)
EditorialMaría Elena Murillo Palacios of Sankofa Danzafro in “Accommodating Lie,” at the Joyce Theater in New York, Feb. 15, 2022. (Julieta Cervantes/The New York Times)
EditorialFrom left, Ebony Marshall-Oliver, Michael Urie, Devere Rogers, Norm Lewis, Cleo King and Alana Raquel Bowers in Douglas Lyons’s “Chicken & Biscuits,” at Circle in the Square Theater in New York, Sept. 22, 2021. (Sara Krulwich/The New York Times)
EditorialPinchas Zukerman performs Mozart's "Violin Concerto No. 3" with the Orpheus Chamber Orchestra in New York on March 19, 2016. (Hiroyuki Ito/The New York Times)
EditorialAndrew Yang at a vigil supporting the Asian-American community following the shootings in the Atlanta area in New York, March 19, 2021. (Jutharat Pinyodoonyachet/The New York Times)
EditorialMany mourners in Harlem brought memorabilia of Cicely Tyson to commemorate her public viewing at the Abyssinian Baptist Church in Harlem on Monday, Feb. 15, 2021. (Laylah Amatullah Barrayn/The New York Times)
EditorialCicely Tyson tours Horton Foote's family home in Wharton, Texas, as inspiration for her role in a revival of the playwright's “The Trip to Bountiful,” Jan. 12, 2013. (Ben Sklar/The New York Times)
Editorialat arrivals for The Grammy Awards: Producers & Engineers Wing Event, The Rainbow Room, New York, NY January 25, 2018. Photo By: Derek Storm/Everett Collection
EditorialLa Capresse des Colonies, 1861, French, Paris, Red and white marble pedestal with gilt-bronze mounts and ornaments, Pedestal: H. 41 3/8 x W. 18 1/4 x 11 3/4 in. (105.1 x 46.4 x 29.8 cm), Sculpture, Charles-Henri-Joseph Cordier (French, 1827?1905), The ...
EditorialLa Capresse des Colonies, 1861, French, Paris, Red and white marble pedestal with gilt-bronze mounts and ornaments, Pedestal: H. 41 3/8 x W. 18 1/4 x 11 3/4 in. (105.1 x 46.4 x 29.8 cm), Sculpture, Charles-Henri-Joseph Cordier (French, 1827?1905), The ...