EditorialBroken bridge at San Sien wey. A crowd of spectators stand on top of a ruined bridge to watch the arrival of the Embassy, with more figures climbing to blocks of stone in the Hai River and to two sailing ships; cottages in the background. Signed with i...
EditorialWey (Formerly a Valance). Designed by William Morris (English, 1834-1896); Produced by Morris & Company, 1875-1940; Woven and printed at Merton Abbey Works; England, Surrey, Wimbledon. Date: 1878-1888. Dimensions: 44.7 ? 197.5 cm (17 5/8 ? 77 3/4 i...
EditorialWey. Designed by William Morris (English, 1834-1896); Produced by Morris & Company, 1875-1940; Woven and printed at Merton Abbey Works; England, Surrey, Wimbledon. Date: 1878-1888. Dimensions: 234.5 ? 136.5 cm (92 3/8 ? 49 3/4 in.) Repeat: 30.5 ? ...
EditorialWey. Designed by William Morris (English, 1834-1896); Produced by Morris & Company, 1875-1940; Woven and printed at Merton Abbey Works; England, Surrey, Wimbledon. Date: 1878-1888. Dimensions: 234.5 ? 136.5 cm (92 3/8 ? 49 3/4 in.) Repeat: 30.5 ? ...
EditorialRemains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793, William Alexander, 17671816, British, 1793, Watercolor over graphite on medium, smooth, cream laid paper, Sheet: 4 x 7 7/8 inches (10.2 x 20 cm), architectural subject...
EditorialWey, 1882-83 William Morris Watercolour for Printed Fabric Design, Arts and Crafts, WatercolourPre-Raphaelite, Design, Interior design, Pattern.
EditorialTunde Wey, a Nigerian-born chef and writer, who uses food to explore racism in America, in New Orleans, June 24, 2019. (L. Kasimu Harris/The New York Times)
Editorialwey?en, Fig. 370, CCCLXIX, Capitel CCLI-CCC., Leonhart Fuchs: New Kreuterbuch, in welchem nit allein die gantz histori, das ist, namen, gestalt, statt und zeit der wachsung [...] des meysten theyls der Kreuter so in Teutschen und andern Landen wachsen,...
EditorialWey (Formerly a Valance). Designed by William Morris (English, 1834-1896); Produced by Morris & Company, 1875-1940; Woven and printed at Merton Abbey Works; England, Surrey, Wimbledon. Date: 1878-1888. Dimensions: 44.7 ? 197.5 cm (17 5/8 ? 77 3/4 i...
EditorialWey. Designed by William Morris (English, 1834-1896); Produced by Morris & Company, 1875-1940; Woven and printed at Merton Abbey Works; England, Surrey, Wimbledon. Date: 1878-1888. Dimensions: 234.5 ? 136.5 cm (92 3/8 ? 49 3/4 in.) Repeat: 30.5 ? ...
EditorialWey (Formerly a Valance). Designed by William Morris (English, 1834-1896); Produced by Morris & Company, 1875-1940; Woven and printed at Merton Abbey Works; England, Surrey, Wimbledon. Date: 1878-1888. Dimensions: 44.7 ? 197.5 cm (17 5/8 ? 77 3/4 i...
EditorialWey. Designed by William Morris (English, 1834-1896); Produced by Morris & Company, 1875-1940; Woven and printed at Merton Abbey Works; England, Surrey, Wimbledon. Date: 1878-1888. Dimensions: 234.5 ? 136.5 cm (92 3/8 ? 49 3/4 in.) Repeat: 30.5 ? ...
EditorialWey (Formerly a Valance). Designed by William Morris (English, 1834-1896); Produced by Morris & Company, 1875-1940; Woven and printed at Merton Abbey Works; England, Surrey, Wimbledon. Date: 1878-1888. Dimensions: 44.7 ? 197.5 cm (17 5/8 ? 77 3/4 i...
EditorialWey. Designed by William Morris (English, 1834-1896); Produced by Morris & Company, 1875-1940; Woven and printed at Merton Abbey Works; England, Surrey, Wimbledon. Date: 1878-1888. Dimensions: 234.5 ? 136.5 cm (92 3/8 ? 49 3/4 in.) Repeat: 30.5 ? ...
EditorialBroken bridge at San Sien wey. A crowd of spectators stand on top of a ruined bridge to watch the arrival of the Embassy, with more figures climbing to blocks of stone in the Hai River and to two sailing ships; cottages in the background. Signed with i...
EditorialBroken bridge at San Sien wey. A crowd of spectators stand on top of a ruined bridge to watch the arrival of the Embassy, with more figures climbing to blocks of stone in the Hai River and to two sailing ships; cottages in the background. Signed with i...