EditorialFrom left: Dara Allen, Blake Abbie and Martine Gutierrez at the CFGNY fashion show, in New York on Saturday, Jan. 28, 2023. (Jutharat Pinyodoonyachet/The New York Times)
EditorialVisitors look at "Rhapsody," a 987-plate installation by Jennifer Bartlett, at the Museum of Modern Art in New York, May 8, 2006. (Keith Bedford/The New York Times)
EditorialCeremonial Object in the Shape of an Ax, Bronze and Iron Age, ca. 100 B.C.?A.D. 300, Indonesia (Sulawesi), Bronze, H. 41 3/8 in. (105.1 cm); W. 26 1/2 in. (67.3 cm), Metalwork, This remarkable ceremonial object, a conceptual as well as technical tour d...
EditorialEarly paintings by Giorgio Morandi, top, and a 1996 beeswax sculpture, below, by the German conceptual artist Wolfgang Laib share the space with modern furniture inside Laura Mattioli Rossi’s home in SoHo, Manhattan, March 14, 2022. (Victor Llorente/The New York Times)
EditorialEarly paintings by Giorgio Morandi, top, and a 1996 beeswax sculpture, below, by the German conceptual artist Wolfgang Laib share the space with modern furniture inside Laura Mattioli Rossi’s home in SoHo, Manhattan, March 14, 2022. (Victor Llorente/The New York Times)
EditorialThe conceptual artist Dan Graham’s “Hedge Two-Way Mirror Walkabout,” installed on the Metropolitan Museum of Art’s roof, in New York, April 23, 2014. (Fred R. Conrad/The New York Times)
EditorialControversial artist AK47 unveils new installation "Pile of Shite" featuring a"Banksy" spray painted cone with asking price of over £1 million pounds
EditorialFloriano Pellegrino with photos of conceptual dishes in the research kitchen at Bros in Lecce, Italy, Dec. 15, 2021. (Gianni Cipriano/The New York Times)
EditorialFloriano Pellegrino with photos of conceptual dishes in the research kitchen at Bros in Lecce, Italy, Dec. 15, 2021. (Gianni Cipriano/The New York Times)
EditorialAnicka Yi at Tate Modern in London with the “biologized machines” that will float and undulate in the museum, Oct. 6, 2021. (Lauren Fleishman/The New York Times)
EditorialAnicka Yi at Tate Modern in London with the “biologized machines” that will float and undulate in the museum, Oct. 6, 2021. (Lauren Fleishman/The New York Times)
EditorialEDS: CREDIT IS MANDATORY -- Rope workers and carpenters deploy the fabric of “L’Arc de Triomphe, Wrapped,” by Christo on the facade of the Arc de Triomphe in Paris, Sept. 12, 2021. MANDATORY CREDIT: (Artists Rights Society (ARS), New York/ADAGP, Paris; Elliott Verdier/The New York Times)
EditorialKing Carl XVI Gustaf and Queen Silvia of Sweden inaugurate the conceptual garden exhibit 'Inglasat', Solliden castle, Borgholm, Sweden - 03 Jul 2021
EditorialGeometric motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Within three conceptual rows that suggest bamboo stalks are sets of striped rectangles overlapping one another. This repeat is ...
EditorialTaddeo Zuccaro, The Choice of Hercules, ca. 1543-1566, pen and brown ink, brown wash, black chalk on paper, 9 in. x 7 9/16 in. (22.9 cm. x 19.2 cm.), Long considered to be the work of Federico Zuccaro (1540/41--1609), this drawing is now attributed to ...
EditorialThe conceptual artist Jill Magid describes her art project, "Tender," at a shop in Manhattan's financial district on Thursday, Sept. 24, 2020. (Adrienne Grunwald/The New York Times)