EditorialTwo skeletons of Death interrupt a Waggoner on the road, killing his horse, smashing his waggon and opening his wine barrels. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans Holbein, Coxhead, London, 1816.
EditorialAnti-abortion protesters interrupt a campaign event for Stacey Abrams, the Democrats’ candidate for governor, in Milledgeville, Ga., on Oct. 27, 2022. (Gabriela Bhaskar/The New York Times)
EditorialThe Ukrainian Army’s 53rd Mechanized Brigade on a small-arms training exercise in the Volnovakha district of Ukraine on Jan. 27, 2022. (Brendan Hoffman/The New York Times)
EditorialProtesters interrupt New York City mayoral candidate Eric Adams after the roll out of a new television ad at Cadman Plaza in Brooklyn on Wednesday, June 16, 2021. (Hilary Swift/The New York Times)
EditorialFrieze, Block-printed on continuous paper, polished ground, A band of alternating oval and rectangular medallions along the upper edge. Below this a long enframed medallion stretching horizontally. Foliate clusters interrupt the latter from above and b...
EditorialTextile, Medium: cotton Technique: printed by engraved roller on plain weave, Shaped fragment, probably from a dress, showing a wavy stripe of rose and light brown, edged with yellow and blue stripes. Small flower clusters interrupt stripe., England, l...
EditorialFestival given by the City of Paris on the occasion of the marriage of the Dauphin, later Louis XVI, and Marie Antoinette., Pierre Louis Moreau Desproux, French, 1727 1793, Pen and ink, brush and white gouache and watercolor., A pavillion topped by an ...
EditorialThe Duchess foiled by Harley in her Attempt to Interrupt the Marriage between Masham and Abigail, Print made by George Cruikshank, 17921878, British, undated, Etching on medium, slightly textured, cream wove paper.
EditorialAfter many thousands of years of Rāma’s righteous but lonely rule over the world, Death, in the form of an ascetic, visits Rāma and informs him of Brahmā’s message: as Rāma has completed his mission and lived eleven thousand years as a mortal o...
EditorialThe stage at Belmont University’s Curb Event Center hall in Nashville, Tenn., Wednesday, Oct. 21, 2020, where a presidential debate between President Donald Trump and Joe Biden, the Democratic presidential nominee, is scheduled to take place on Thursday. (Amr Alfiky/The New York Times)
EditorialItaly: In the Galleria Umberto in Naples, Miriam an 8-year-old girl who dances with a mask and gloves on her hands. A little girl who loves dance is that unfortunately for now she has to give up her weekly classes due to Covid-19.
EditorialItaly: In the Galleria Umberto in Naples, Miriam an 8-year-old girl who dances with a mask and gloves on her hands. A little girl who loves dance is that unfortunately for now she has to give up her weekly classes due to Covid-19.
EditorialProtesters interrupt a campaign event for Sen. Bernie Sanders (I-Vt.), a candidate for the Democratic presidential nomination, in Perry, Iowa, on Monday, Jan. 26, 2020. (Mark Makela/The New York Times)
EditorialAfter many thousands of years of Rāma’s righteous but lonely rule over the world, Death, in the form of an ascetic, visits Rāma and informs him of Brahmā’s message: as Rāma has completed his mission and lived eleven thousand years as a mortal o...
EditorialAfter many thousands of years of Rāma’s righteous but lonely rule over the world, Death, in the form of an ascetic, visits Rāma and informs him of Brahmā’s message: as Rāma has completed his mission and lived eleven thousand years as a mortal o...
EditorialTwo skeletons of Death interrupt an itinerant Hawker with his heavy load as he points to his destination. One skeleton plays on a trompette marine, or marine trumpet. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Ha...
EditorialTwo skeletons of Death interrupt a Waggoner on the road, killing his horse, smashing his waggon and opening his wine barrels. Handcoloured copperplate engraving by Wenceslaus Hollar from The Dance of Death by Hans Holbein, Coxhead, London, 1816.