EditorialMayor of Paris Anne Hidalgo visited recently renovated Pierre-de-Coubertin Stadium which is planned to to serve as a training site for rhythmic gymnastics, trampoline, and goalball during the Olympics.
Editorial*EXCLUSIVE* Ben Affleck and JLo first Christmas as married couple their $60 million mega mansion Christmas lights, skateboard ramp, outdoor chess set and vintage motorcycle **WEB MUST CALL FOR PRICING**
EditorialA child’s trampoline sits in a backyard near one of the derailed train cars in East Palestine, Ohio, on Feb. 15, 2023. (Brian Kaiser/The New York Times)
EditorialMaeve, who has been in gymnastics since age 3, jumps on the trampoline outside her home in Seekonk, Mass., Aug. 24, 2022. (Desiree Rios/The New York Times)
EditorialColette Dong, co-founder of a New York bouncing studio called The Ness, does a trampoline workout at the studio on Oct. 27, 2022. (Angelo Silvio/The New York Times)
EditorialVisitors explore the upper level of the trampoline-like steel web of “Free The Air: How to Hear the Universe in a Spider/Web,” a centerpiece of Tomás Saraceno’s exhibition at the Shed in New York on Feb. 12, 2022. (George Etheredge/The New York Times)
Editorial*EXCLUSIVE* *WEB EMBARGO UNTIL OCT 8 , 2022 UNTIL 8PM ET * Finishing touches finally being made to BLM founder Patrisse Cullors’ $1.4m ‘hippy hideaway’ - ** WEB MUST CALL FOR PRICING **
EditorialAlex Ebert plays with his younger brother Leon on a trampoline at their home on May 2, 2022, in a suburb of Aachen, in the west of Germany. (Lena Mucha/The New York Times)
EditorialVisitors explore the the trampoline-like steel web of “Free The Air: How to Hear the Universe in a Spider/Web,” a centerpiece of Tomás Saraceno’s exhibition at the Shed in New York, Feb. 12, 2022. (George Etheredge/The New York Times)
EditorialVisitors explore the the trampoline-like steel web of “Free The Air: How to Hear the Universe in a Spider/Web,” a centerpiece of Tomás Saraceno’s exhibition at the Shed in New York, Feb. 12, 2022. (George Etheredge/The New York Times)
EditorialVisitors explore the upper level of the trampoline-like steel web of “Free The Air: How to Hear the Universe in a Spider/Web,” a centerpiece of Tomás Saraceno’s exhibition at the Shed in New York on Feb. 12, 2022. (George Etheredge/The New York Times)