EditorialStephen McKinley Henderson, left, as Pops and Liza Colon-Zayas as Church Lady in the show “Between Riverside and Crazy” at the Hayes Theater on Dec. 7, 2022. (Sara Krulwich/The New York Times)
EditorialBris? fan, Painted wood sticks, silk tassel, Bris? fan of painted, unvarnished wood. Obverse has a design of dancing frogs with blue and white porcelain. Reverse shows bamboo trees with a bird and dragonfly. Beige tassel., Japan, late 19th century, cos...
EditorialAn unvarnished oil lamp of gray earthenware with a high round body on a round base. The mirror is convex and the filling hole is small. On the left is an outgrowth. The long spout is wide and angularly sealed, oil lamp, earthenware, terracotta, 4 x 8.2...
EditorialAn unvarnished oil lamp of red earthenware with a round body on a small round base and a small filling hole. Instead of a spout, a small round hole has been drilled in., Oil lamp, pottery, terracotta, 2.8 x 6.1 x 6.1 cm, 4th and 3rd century BC. -400.
EditorialAn unvarnished oil lamp of red earthenware with a round body on a high round base and a very small filling hole. Instead of a spout, a small round hole has been drilled in. On the body is a small not completely pierced hole, oil lamp, earthenware, terr...
EditorialAn unvarnished lamp of red earthenware. A round body on a round base with a small filling hole surrounded by a wide ring. The rounded spout is long and flat on top, oil lamp, earthenware, terracotta, 4.5 x 9.2 x 6.5 cm, 3rd century BC. -300.
EditorialA rough unvarnished red earth oil lamp with a small filling hole surrounded by a wide ring that is stretched in the flat shoulder. The spout is long and flat from above. On the left is an outcrop, oil lamp, earthenware, terracotta, 3.8 x 8.6 x 6.7 cm, ...
EditorialThomas Eakins, Portrait of A. Bryan Wall, 1904, oil on canvas, 24 1/4 in. x 20 3/16 in. (61.6 cm x 51.28 cm), At the outset of his career Thomas Eakins epitomized critical hopes for an art that would be both technically accomplished and distinctively n...
EditorialVenus and Adonis in wooded landscape in front of the castle Beersel, 2nd half of the 16th century, tempera unvarnished on unprimed canvas (handkerchief painting), wax-doubled, 38.1 x 44.2 cm, not marked, Niederl?ndischer Meister, 16. Jh.
EditorialKim Darroch, Britain’s former ambassador to the United States, at his home in London on Thursday, Sept. 10, 2020. (Andrew Testa/The New York Times)
EditorialVenus and Adonis in wooded landscape in front of the castle Beersel, 2nd half of the 16th century, tempera unvarnished on unprimed canvas (handkerchief painting), wax-doubled, 38.1 x 44.2 cm, not marked, Niederl?ndischer Meister, 16. Jh.
EditorialDeer hunting in swampy wood, 2nd half of the 16th century, tempera unvarnished on unprimed canvas (handkerchief painting), mounted on paper, 41.5 x 50 cm, not marked, Niederl?ndischer Meister, 16. Jh.
EditorialThe Prodigal Son Playing in the Hall of Solaceation, c. 1520, tempera unvarnished on unprimed canvas (small painting), 79.9 x 80.1 cm, not marked, Niederl?ndischer Meister, 16. Jh.
EditorialThe prodigal son is expelled from the brothel house, around 1520, tempera unvarnished on unprimed canvas (handkerchief painting), 80 x 80.4 cm round, not marked, Niederl?ndischer Meister, 16. Jh.